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Glen Campbell's Epiphone Zephyr Deluxe Regent
Early 60 Pic of Glen and Debby with the Epiphone
This is an interesting sleeve on the Epiphone. I assume it is leather, but it doesn't appear as detailed as others that he had.
Dating Glen's Epiphone Zephyr Deluxe Regent by its' Serial
Thanks to Cowpoke for providing a picture that allows us to see Glen's Epiphone Serial #, as the Epiphone moves to Glen's new museum.
It appears that Glen's Epiphone is serial number: 85013
We know that Epiphone produced this model from 1948 to 1958
It appears that the 48 model did not have two pickups.
According to Gruhn's Guide To Vintage Guitars (Vol. 2), #85013 corresponds to Epiphone serial numbers used between 1945 & 1950. The "85" refers specifically to the Zephyr De Luxe Regent model. The final three digits signify it's ranking within that model's production. Gruhn’s book lists two pickups & the slider switch appearing in 1949. In 1950, Epiphone’s “New York” pickups are introduced on this model, which Glen’s instrument does not have. Along with the serial number info, it logically should be a 1949.
It appears that Glen's Epiphone is serial number: 85013
We know that Epiphone produced this model from 1948 to 1958
It appears that the 48 model did not have two pickups.
According to Gruhn's Guide To Vintage Guitars (Vol. 2), #85013 corresponds to Epiphone serial numbers used between 1945 & 1950. The "85" refers specifically to the Zephyr De Luxe Regent model. The final three digits signify it's ranking within that model's production. Gruhn’s book lists two pickups & the slider switch appearing in 1949. In 1950, Epiphone’s “New York” pickups are introduced on this model, which Glen’s instrument does not have. Along with the serial number info, it logically should be a 1949.
Glen Campbell with the Champs 1960 w/ his Epiphone Zephyr
The Champs around 1960: (clockwise from top left) Bob Morris, Dash Crofts, Glen Campbell, Jerry Cole, Jimmy Seals
Glen Campbell's Epiphone Zephyr De Luxe Regent Tailpiece
"I'll Be Me" has some old 8mm footage of Glen and the Epiphone. It is interesting to note that the tailpiece for that guitar seemed to transition with time.
In 1937, a radical new tailpiece called the Frequensator, was introduced by Epiphone. The idea behind the design was to provide compensation between the treble and bass strings, and the word “frequensator” was a contraction of the words “frequency” and “compensator”. The Frequensator consisted of two separate extensions of unequal lengths; a shorter one of 2,5 inch for the bass strings and a longer one of 5,75 inch for the treble strings. All higher-end acoustic and electric archtops were equipped with the Frequensator tailpiece – designed by Epiphone employee Herb Sunshine.
Although the Zephyr was built for about 9-10 years, the "Regent" model only ran for about 4 of those years (1950-1954). The Zephyr line transitioned through 3 models, probably lasting about 10 years from the late 40's to the late 50's. It appears that the tailpiece never changed, regardless of the model produced. Here is a beautiful example of what it looked like:
During the time Glen used his Epiphone Zephyr De Luxe, it appears to have a Bigsby for the tailpiece, which was invented by Paul Bigsby around 1952. We have no idea who transitioned the Epiphone to the Bigsby, or when this occured, but it had to be at a time that was close to when the tailpiece hit the market. Here is a picture of a '54 Bigsby:
And here are some early pictures of Glen with his Zephyr DeLuxe:
Towards the end of Glen's career, the Campbell family brought the Epiphone out for several photo sessions with Glen. The tailpiece has been replaced with a 40's model Gibson raised diamond motif tailpiece used on the L7 and ES-300. ((Note how Glen slanted the pickup, most likely to get the sharpest treble response, from neck pickup))
Here is a Gibson 1940'41 ES300 with, what appears to be, the same tailpiece that we see on Glen's Epiphone in the most recent pictures.
In 1937, a radical new tailpiece called the Frequensator, was introduced by Epiphone. The idea behind the design was to provide compensation between the treble and bass strings, and the word “frequensator” was a contraction of the words “frequency” and “compensator”. The Frequensator consisted of two separate extensions of unequal lengths; a shorter one of 2,5 inch for the bass strings and a longer one of 5,75 inch for the treble strings. All higher-end acoustic and electric archtops were equipped with the Frequensator tailpiece – designed by Epiphone employee Herb Sunshine.
Although the Zephyr was built for about 9-10 years, the "Regent" model only ran for about 4 of those years (1950-1954). The Zephyr line transitioned through 3 models, probably lasting about 10 years from the late 40's to the late 50's. It appears that the tailpiece never changed, regardless of the model produced. Here is a beautiful example of what it looked like:
During the time Glen used his Epiphone Zephyr De Luxe, it appears to have a Bigsby for the tailpiece, which was invented by Paul Bigsby around 1952. We have no idea who transitioned the Epiphone to the Bigsby, or when this occured, but it had to be at a time that was close to when the tailpiece hit the market. Here is a picture of a '54 Bigsby:
And here are some early pictures of Glen with his Zephyr DeLuxe:
Towards the end of Glen's career, the Campbell family brought the Epiphone out for several photo sessions with Glen. The tailpiece has been replaced with a 40's model Gibson raised diamond motif tailpiece used on the L7 and ES-300. ((Note how Glen slanted the pickup, most likely to get the sharpest treble response, from neck pickup))
Here is a Gibson 1940'41 ES300 with, what appears to be, the same tailpiece that we see on Glen's Epiphone in the most recent pictures.
Re: Glen Campbell's Epiphone Zephyr Deluxe Regent
8:21 pm?
Now, that is some detail there! You have done an awesome job with this guitar info section, Jay. Many thanks to you for your work and research.
This is undoubtedly the guitar Glen has owned the longest, at least 62 years which is pretty amazing when you think of it.
Wayne
Now, that is some detail there! You have done an awesome job with this guitar info section, Jay. Many thanks to you for your work and research.
This is undoubtedly the guitar Glen has owned the longest, at least 62 years which is pretty amazing when you think of it.
Wayne
Glen & Zepher at Riverside Park Ballroom in Phoenix Arizona
Here are some great pictures of Glen with the Epiphone Zephyr at the Riverside Park Ballroom in Phoenix, Arizona. The year...1959 or 1960...most likely. Thanks to Cowpoke and Dee for contributing these for this thread.
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- Glen with his Epiphone Zephyr Deluxe Regent 1959/1960
- Zephyr2.jpg (34.23 KiB) Viewed 62765 times
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- Glen at the Riverside Park Ballroom in Phoenix Arizona 59/60
- Zephyr1.jpg (331.82 KiB) Viewed 62765 times
Re: Epiphone Zephyr Deluxe Regent
Probably one of the last pictures of Glen with the Epiphone, before it went to the HOF.
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Re: Epiphone Zephyr Deluxe Regent
Yes I see what you are saying. Good point. It's in the wrong time frame in relation to the period of the guitar.
It would be like displaying a model T ford with a sat nav stuck on the windscreen.
Having said that, when I see those picks it reminds me of the couple of times when I was given a few of the picks while I was talking to Jeff Dayton while he was still on the stage. I had mentioned I took up the guitar because of Glen and Jeff asked the drummer to give me some of the picks they had in a box. I will always remember that with great fondness. Jeff is a great guy.
It would be like displaying a model T ford with a sat nav stuck on the windscreen.
Having said that, when I see those picks it reminds me of the couple of times when I was given a few of the picks while I was talking to Jeff Dayton while he was still on the stage. I had mentioned I took up the guitar because of Glen and Jeff asked the drummer to give me some of the picks they had in a box. I will always remember that with great fondness. Jeff is a great guy.
Re: Epiphone Zephyr Deluxe Regent
Thanks for this info, Mike. I really appreciate it. Maybe this is the guitar that Glen adjusted the pickup on?
The pick? Well, it looks contemporary to me...especially with Glen's signature on it and the red color. Do you think he would have used a pick like this one in the 50s and early 60s?
Maybe I am just being "picky", but I would have liked to have seen an authentic pick of Glen's from the 50s with the Epi.
Dee
The pick? Well, it looks contemporary to me...especially with Glen's signature on it and the red color. Do you think he would have used a pick like this one in the 50s and early 60s?
Maybe I am just being "picky", but I would have liked to have seen an authentic pick of Glen's from the 50s with the Epi.

Dee